Fortitude is volume 6 of The 11 Collection, born from the encounter between Paul-Alexis Racine Jourdren, founder of CetteFamille, and photographers Jean-Marc Caimi and Valentina Piccinni.
Fortitude is the name behind the vital energy that makes it possible to create and to build. Everything, however small, requires courage. This energy, when it is deliberate and conscious, is called fortitude. It allows a person to rise through intentional effort, to persevere along a path through constant effort. There is no fortitude without effort. The taste for effort is probably the genesis of great things and great men. Sustained by the desire never again to endure a past one wishes left behind, it becomes the fuel of a future. This is true for the individual, and it is equally true for a society, so that it may share a common desire to improve, to evolve, or simply to preserve what deserves to be preserved. But the taste for effort takes on its fullest meaning when it is mixed with the taste for risk. Together, these two things are the source of my definition of fortitude.
This choice of word is dedicated to those for whom small things require great efforts and who make them for others.
There is a common mistake made by those who speak of courage: they confuse it with the absence of fear. The truly courageous person trembles and acts anyway. This distinction separates superficial bravery, spectacular and short-lived, from the deep, quiet, and lasting virtue the Latins called fortitude.
Fortitude consists of two distinct acts: to leap forward, to undertake, to attack the obstacle and to hold, to endure, to remain standing under pressure. And it is the second that is superior. Not because the initial momentum is without merit, but because it is infinitely harder to resist over time than to launch oneself in the intoxication of beginnings.
Every founder will recognise this landscape. They know the momentum of early days, when everything still seems possible. But true fortitude reveals itself elsewhere: in the third winter, when teams begin to doubt, when the market resists, when the certainties of the start have been swept away one by one by reality.
Augustine of Hippo offers the most accurate definition: fortitude is the love that endures everything for the sake of what it loves. It thus raises the question every entrepreneur must eventually ask themselves honestly: what are they holding on for? If the answer amounts to profit alone, fortitude will always be fragile. No one stays standing for a spreadsheet.
What the history of companies that truly last teaches us is that their collective fortitude is rooted in a mission that transcends them. But the particular difficulty for those who practice fortitude is fighting against their own humility. Its value only comes when it becomes a culture, a shared narrative, a collective conviction. And for it to become culture, it must be legible, lived out in daily decisions, in the moments when the easy path was available and not taken.
Fortitude is the virtue of those who have found something worth being afraid for and who know how to pass it on.
Fortitude carries no appeal of achievement. It belongs to identity itself, to the survival instinct that keeps a human being alive. It looks like normality, and normality never attracts attention, never asks to be photographed as a final gesture. It’s still being there when everything around collapses, turns hostile.
As documentary photographers, we have met fortitude many times without ever needing to name it.
The fortitude we found had nothing to do with choice. It was what remained when choice had already been removed.
Photography demands what fortitude demands: believing in human beings enough to stay, and long enough for trust to replace novelty, for the story to stop being about its own beginning.
The photographic series in this volume
Before The Future Comes
Men, women and children on the Balkan migration route, caught between a country they cannot return to and a destination they cannot yet reach.
Libya At The Crossroads
The fighters of the uprising against Gaddafi, stranded in a country Western partners abandoned before it could rebuild itself.
No Woman No Cry
Ukrainian women and children crossing into Poland alone, their men legally forbidden to follow, carrying what they could grab in minutes.
Güle Güle
Fragile communities in Istanbul resist as the Turkish state progressively dismantled the legal protections that had made their public life possible.
The Girls Who Repair Cars
Young women in Burkina Faso training as mechanics in a country where female emancipation is socially hindered.
Umana Natura
As the natural environment transforms radically, human endurance and the connection with the natural world is put under strain.
Fastidiosa
Farmers in Apulia continuing to work land devastated by Xylella fastidiosa, a bacterial epidemic that has destroyed millions of olive trees with no cure in sight.
The Burning Plain
Residents of the Phlegraean Fields, one of the most volcanically active and dangerous areas in Europe, whose identity is intertwined with the land they refuse to leave.
Forcella
Residents of one of Naples’ oldest and most densely populated neighborhoods, holding their ground as gentrification and tourism transform the fabric of daily life around them.
Death Metal
The people of Taranto living in the shadow of Ilva, Europe’s largest steel plant, coping with decades of toxic pollution that has made their city one of the most contaminated in Italy.
Women of The Horn
Women fleeing conflict and poverty in the Horn of Africa, crossing into Yemen and living in desert refugee camps in search of a life that conflict at home made impossible.
Backstage Of A Revolution
The people of Kyiv’s Maidan square, standing together against Yanukovych and Russian influence over their country during the winter of 2013 to 2014.
Paul-Alexis Racine Jourdren founded CetteFamille, a human-centric, warm alternative to the standard elderly care model with a mission to ensure every senior feels loved and socially connected, rather than just managed. The company’s social impact was recognized early on and Newfund invested one year after its launch, in 2017.
Jean-Marc Caimi and Valentina Piccinni are a powerhouse duo in contemporary documentary photography, known for a raw, immersive style that merges journalistic rigor with a cinematic edge. Since 2013, they have captured the friction between humanity and its changing environments.